黏 Jessica Mae Shen 脏脚丫

          Workshop 工作坊

《黏》是一个舞蹈作品。这个作品的思想源头来自于Jessica在疫情期间的观察并且通过肢体记录了下来。核心概念是不明确未来和模糊不清威胁来源造成了永不安宁感。作品呈现了在疫情紧张情绪中尴尬的人际关系。两个舞者代表着疫情之间对同样需求的两种应对倾向。因此,两者相互依赖又相互抵触。很多人为应对疫情而做出了调整和贡献来维持我们的基本需求。同时,也有很多人为应对疫情而组合了更方便的结论。《黏》呈现的是两种应对方式模糊化和不可预定化的过程。

“黏” is a dance piece. The source of the idea came from Jessica’s observation of the pandemic. Furthermore, she used the body to record them. The core concept is the uncertainty of the future and the blurred identification of threat causing the never-settling sense. The piece is showing the awkward social relationship during the nerve-racking pandemic. Two dancers represent two dealing methods of the same demand. Hence, the two are both dependent and averse. Many people had made adjustments and contributions to the fundamental needs during the pandemic. At the same time, many had constructed theories that are more convenient. “黏” demonstrates the development of two dealing methods became more blurred and unpredictable.

“在这危机的2020里,人类关系被戏剧性地重置了。通过利于自己的理由,黏代表着在人类关系中被缓冲了的摩擦。自由与控制之间的交错更加模糊了人们的边界感”

“In the 2020 crisis, the human relationship has been dramatically reset. Through self-benefiting reasons, 黏represents the buffered friction in human relationships. The stagger between freedom and control blurred people’s boundaries” 

Jessica Mae Shen(脏脚丫)(编舞 & 舞者 Choreographer & Dancer)

Jessica Mae Shen(脏脚丫)是一名当代舞自由舞者及编导。2017年间,她的剧场作品《4Y07, Black》和多媒体剧场作品《Cherries Lab Project》在美国芝加哥多处剧场演出。2018年毕业于美国芝加哥哥伦比亚学院表演艺术专业后,返回上海。她合作出演作品有 Darrel Jones《Hoo-ha》2018、Erin Kilmuray《Something Good Will Come Off This Time》2018、Rachel Bunting《In the cup of Forgiveness》2018、爱丽诗《黑洞》2019、Cie Willi Dorner《Urban Bodies》2019、死亡剧场《慢餐厅》2020、等。为了把肢体探索工作和体验带到上海的社区,她在2019年创办了蹈乱团伙。

Jessica Mae Shen is a freelance contemporary dancer and choreographer. In 2017, her theater work “4Y07, Black” and multi-media theater work “Cherries Lab Project” presented in various theaters in Chicago, USA. After graduating from Columbia College Chicago with a performance art major, she returned to Shanghai. Works that she collaborated with were “Hoo-ha” (2018) by Darrel Jones, “Something Good Will Come Off This Time” (2018) by Erin Kilmuray, “In the Cup of Forgiveness” (2018) by 2018, “Black Hole” (2019) by Alex Ander, “Urban Bodies” (2019) by Cie Willie Dorner, “Slow Restaurant” (2020) by Death Theater, etc. To bring body exploration work and experience to Shanghai’s communities, she founded TroubleDancers in 2019. 

飞行家 Fei(舞者 Dancer)

飞行家,毕业于香港大学整合实效管理专业,是一个身体剧场编创者,同时是飞行家身体剧场创始人和上海即兴艺术节联合发起人。目前在上海从事艺术活动策划,戏剧导演,多维艺术教育,并与不同艺术家进行跨领域艺术创作。

以舞者参演作品:乌镇戏剧节环境舞蹈《瞬间之河》、艺仓美术馆舞蹈《再生》、Angela Stoecklin作品《City Dance: ShangHai》、PSA聚裂 Willi Corner 作品“bodies in urban spaces”、昊美术馆美丽新世界《Move on》。

编导创作作品:ART SHAKE青年艺术展环境装置舞蹈《Hello, is this your house?》、SUSAS上海城市空间艺术季环境舞蹈《与水书》、《溯源》、喜玛拉雅美术馆《On Display Global Shanghai》。

Fei, graduated from The University of Hong Kong, majored in Integrated Management. She is a physical theater creator as well as the founder of Fei Physical theatre and co-founder of the Shanghai improvisation festival. Currently working as the artistic event planner, theater director, multi-modal artistry education, and collaborating with an artist on cross-field art creative production.

Dance piece involved as a performer, Wuzhen Theatre Festival site-specific performance “瞬间之河”, Modern Art Museum, Shanghai performance“再生”, Angela Stoecklein’s work ”City Dance: Shanghai”, PSA ReActor Willi Corner’s work“bodies in urban spaces”, HOW Art Museum: Move On China “Move on”

Chorography: ART SHAKE“Hello, is this your house?”, SUSAS “与水书”, “溯源”, Shanghai Himalayas Museum “On Display Global Shanghai”

Joyce Chonghui Wu (视觉设计 Visual Design)

Joyce Chonghui Wu,作为架空世界Mofoland的友好代表, 以地球介质混合Mofoland生物/文化进行随机创作,积极与更多人类展开互动,并强调一切都是无用即兴这一概念,这是一个主动放弃释义的世界。

个人项目:Scanner Archive 2020 

- Mark of Summer 2019

- Booty Symph:1 – Yaoli – Unreachable Love 2019 Lino 2019

- Doodle Book Series 2018 – Tiny 2018

合作项目:

- Daniel Knox: “Door Key”(2019), “Mrs. Roth”(2020) music video production

- Lukewarmpeople: 2020ss Campaign

Video Production, Art Director

关于《黏》- Video:你有好好擦过家里的打印机吗?

除了打印和扫描Wi-Fi或蓝牙外的沟通也是很重要的。

桌上的果汁翻在电脑里 打印机扫描出了汁液 香的黏的。。。不要去碰它!让它再流一会。。。“不要再问为什么了”

Joyce Chonghui Wu, as the friendly representative of Mofoland in a fictional universe, creates by randomly incorporating creature/culture from Mofoland and media/materials from Earth. Actively interaction with more humans and empathize they philosophy of “everything is just pointless improv.”, it is the world where you initiatively give up meanings.

Personal Project: Scanner Archive 2020

- Mark of Summer 2019

- Booty Symph:1 – Yaoli – Unreachable Love 2019 Lino 2019

- Doodle Book Series 2018 – Tiny 2018

Collabs:

- Daniel Knox: “Door Key” (2019), “Mrs. Roth”(2020) music video production

- Lukewarmpeople: 2020ss Campaign

Video Production, Art Director

About “黏”- Video: Have you ever clean your printer?

Except for the printer & the scanner, the communication other then WIFI and Bluetooth is also important.

The juice on the desk flipped and splashed over the laptop. The printer successfully scans the fluid. Fragrant and sticky… Don’t touch it! Let it spread a little… “Don’t ask ‘why’ anymore”

Hunter Kennedy (音乐设计 Sound Designer)

Hunter Kennedy 亨特肯尼迪———声效设计师、作曲者、写歌歌手、音乐制作人。亨特演奏多样乐器但是声乐和键盘类琴。他的音乐和声效专业跨越不同风格的诱人旋律,他的歌词受珍贵并感动人的人生时刻。他看重他的多元性和探索中带来的挑战。他最近的单曲是“You“和“Everlasting“。

我参加这项目是因为我想要实验新的音乐风格。在为Jessica Mae Shen的以往项目“4Y07,Black”和”Cherries Lab”之后,我很期待为她的声效设计服务。我享受这次探索《黏》这个议题的机会。这个项目让我明白了《黏》在日常生活中是如何体现的。

Hunter Kennedy– Sound Designer, Composer, Singer-Songwriter, and Producer. Hunter plays multiple instruments but his main two are voice and keyboards. His musical and audio expertise spans across multiple different styles with alluring melodies, and lyrics inspired by the precious relatable moments of life. He values his versatility and the challenges brought on by exploration. His most recent single is “Everlasting” and the last release prior to that is “You.”

I joined this project because I wanted to experiment with new styles of music I do not create quite as often. I was looking forward to serving as Jessica Mae Shen’s sound designer after collaborating with her on her projects “4Y07, Black” and “Cherries Lab.” I also enjoyed the opportunity to explore the topic of “Nian” and how that attribute expresses and manifests itself in everyday life.